Starofash Notodden, Norway
Behind the name Starofash we find the artist Heidi S. Tveitan. Situated in the wonderful and dark woods of Telemark, Norway, she writes music, lyrics and texts and captures moments with her camera. She is also a music producer at Mnemosyne Productions.
If you like Starofash, you may also like:
Sic Transit Gloria Mundi ep
by Ulver
supported by 20 fans who also own “Silva Magna”
So the first 2 songs here were "leftovers" that didn't make it into the Ceasar masterpiece of theirs...what shall I say, this band is pure gold, and their pop version manifesting as of recently only grows their legacy and legend to new heights.
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The Assassination of Julius Caesar
by Ulver
supported by 16 fans who also own “Silva Magna”
There's just something about this album. Ulver paints a distinct picture on the progression of angst of humanity; rendered through a matured sound from a band closing in on thirty years of existence.
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supported by 15 fans who also own “Silva Magna”
Vous en avez lu, vous en lirez des intellectuels et parfois même des artistes — traîtres à leur cause — expliquant que créer de la belle musique prend nécessairement du temps. Puis vous tomberez sur ATGCLVLSSCAP — tout un cycle zodiacal —, sur ce rock psychédélique, sur ce drone de la transe, sur ce dark ambiant ouvrant l'imaginaire, sur cette musique orientale. Bref, sur le son du Monde tout entier. Puis vous apprendrez qu'une bonne partie de ces pistes sublimes sont issues d'improvisations...
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Let's Turn It Into Sound
by Kaitlyn Aurelia Smith
The synth wizard takes yet another left turn on her stunning new LP.
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Galaktika Compilation Mixed by Paulo Olarte
by Various
A new comp showcasing the best of Barcelona electronic label Galaktika Records, featuring never-before-heard cuts from Isolee and Tensnake.
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This L.A. duo make sinuous electronic jams equally influenced by psychedelic dance music and spaced-out rock.
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supported by 14 fans who also own “Silva Magna”
Flowers of Evil est vraiment un album spécial dans lequel Ulver joue le rôle de l'illusionniste jusqu'à en être carrément fallacieux : retour de la synthpop (ça serait bien la première fois qu'Ulver reste dans une zone de confort), pochette étrange, références bibliques et culturelles à foison... Mais si on creuse un peu plus, c'est un Ulver tragique qui se dévoile, un Ulver qui parle de bombes atomiques ("Little Boy") et de massacres injustes ("Apocalypse 1993") : un Ulver plus froid et mature.
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